![]() ![]() ![]() Eric Santiago on Previous version of After Effects 2021? Adobe After Effects.Recreate the Nexus from Star Trek Generations I’ll add that having started using a BMPCC4K recently, after extensive use of Red and Sony cameras, the BMD menus are a pleasure to navigate, this makes their Video Asssit monitors very inetersting tools, especially with the option of recording BRAW.Ĭ-sideprod.ch | | kinogeneva.ch I wonder if any camera that outputs a raw signal will also be compatible with BRAW, or if they will become compatible. On a side note is is interesting that Sigma has announced that the latest firmware forthe fp will allow for both ProRes Raw recording and BRAW recording via an external recorder (Atomos Ninja V for PRRaw and BMD Video Assist monitors for BRAW). I think we need a petition for both Apple and Black Magic Design, asking for BRAW to be read within FCPX and for ProRes Raw to read within Resolve. Your petition implies Blackmagic is at fault here. Maybe you should petition Apple to firstly allow BRAW in FCPX and also to allow ProResRAW to be free like BRAW so Resolve can have ProResRAW for the same price as Apple can adopt BRAW in FCPX. I’ve never seen it in the wild but there’s a lot of BRAW. ![]() ProResRAW has had a limited and very slow uptake. Can you name a single camera that records it internally? This means there are very few cameras and recorders that can record this format despite it being released a year before BRAW. This implies many cameras and recorders can record this format when in fact only Atomos can and a couple of DSLRs will output a signal to allow it to be used in an Atomos recorder. Your petition claims “Ever since Apple released their widely compatible ProRes Raw format, the world’s leading medium budget professional and semi-professional photo and video camera manufacturers, as well as video recorder manufacturers have added support for this format in the latest generation of their products.”
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